FLCL

FLCL

フリクリ
2000 -2001 Gainax / Production I.G OVA 6 episodes Completed
Action Comedy Sci-Fi Coming-of-Age
Details & Synopsis
Naota Nandaba is twelve, bored, and trying very hard to act older than he is. Then Haruko Haruhara runs him over with a Vespa, hits him with a blue Rickenbacker bass, moves into his house, and starts treating the portal in his forehead like a normal workplace inconvenience.

FLCL was six OVA episodes released from 2000 to 2001 by Gainax and Production I.G. Six episodes was enough. It is a coming-of-age story buried inside a music video buried inside an animation staff showing off, and every attempt to explain it cleanly makes it sound less precise than it actually is. The robots, the guitars, the manga-panel sequence, the eyebrows, Medical Mechanica, all of it is attached to the same basic problem: being twelve feels enormous while every adult around you acts like it is temporary.

The Pillows soundtrack is inseparable from the show. Adult Swim understood that and aired it repeatedly, which let a six-episode OVA become a generational object for people who found it at one in the morning and had no idea what they had just seen. Then they watched it again. That was usually the correct response.

Later sequels exist. The original still ends exactly where it should.
Alt Title フリクリ
Studio Gainax / Production I.G
Network OVA
Aired 2000 - 2001
Episodes 6
Genre Action, Comedy, Sci-Fi, Coming-of-Age
Status Completed

Guitar & Ordnance

Archival note

FLCL uses recognizable electric guitars as weapons, tools and impossible objects without separating those functions very carefully.

This page identifies the instruments and sticks to what the original OVA actually does with them. The guitars are already strange enough without giving them invented power classes.

Haruko's Rickenbacker 4001

Midnight Blue · Instrument, Weapon, Tool

Haruko's left-handed Rickenbacker 4001 is the object most closely identified with her after the yellow Vespa.

She plays it like an instrument when FLCL feels like being a music show and swings it like a weapon when FLCL feels like being an action show. It also carries impossible modifications, including the pull-starter mechanism she uses repeatedly.

The bass is involved from the moment Naota's first forehead growth appears and remains part of Haruko's attempts to force open the route to Atomsk.
Why it matters
FLCL never asks the guitar to choose between being cool and being functional. Haruko does not carry a guitar-shaped weapon. She carries a guitar and simply refuses to respect the distinction.

The Crimson Gibson EB-0

Atomsk's Bass · Pulled Through Naota

The crimson Gibson EB-0 appears through Naota as the connection to Atomsk becomes stronger.

Unlike Haruko's Rickenbacker, this is not an instrument Naota simply chose to carry. It arrives through the same impossible process that has already produced Medical Mechanica machinery from his head.

By the finale Naota is wielding the bass while carrying Atomsk's power, turning an object that first appeared as evidence of somebody else's presence into part of his own confrontation with Haruko.
Why it matters
The bass visually marks the point where Naota stops being only the doorway everybody else is using.

Canti's Flying V

Appears with Canti's Red Combat Form

Canti's Flying V appears alongside the red, winged combat form associated with absorbing Naota and drawing on the power moving through him.

The guitar is part of the same visual escalation that gives Canti his halo, wings and drastically increased fighting ability.
How you can tell
Domestic blue Canti is the robot doing chores around the Nandaba house. Red Canti carrying the Flying V means something much larger is moving through him.

Amarao's Guitar

The Adult Tries to Join the Guitar War

Amarao eventually arrives armed with a guitar of his own, which is funny precisely because Haruko has spent the series making the instrument look inseparable from impossible power.

Amarao knows more than Naota about Haruko, Atomsk and Medical Mechanica, but possession of a guitar does not suddenly put him on Haruko's level.
Why it matters
FLCL repeatedly lets Amarao have the information of an authority figure without giving him the effortless control he wants to project. The guitar fits him perfectly: he has copied the shape of the thing without becoming the person who made it terrifying.